Last week, Apple introduced iLife ’08, the latest version of their multimedia software bundle – and that means a new version of the impressive GarageBand audio software. Of course, impressive is a strong term, but I would definitely apply it to a piece of software that gives you powerful and easy-to-use recording, mixing, and editing tools as one fifth of an $80 package.
I picked up my copy at the local Apple Store the first day they were available, and I’ve used the new version for about 15 hours of recording and editing in the last week. This review will focus on the new features (both good and bad) I’ve seen in that time, and list a few things that I think were left out.
What’s (Officially) New in Garageband ’08?
Apple’s GarageBand site describes these new features for the software:
- Magic GarageBand: Play with a hand-picked band on a virtual stage. GarageBand generates a new project based on genre and performance styles.
- Multi-take recording: Mark a region to repeat, record your part multiple times, and pick your best performance.
- Automation of tempo effects and instruments: Set multiple edit points in a track to automate EQ and effect changes like a pro.
- Arrangements: Define sections of your song – intro, verse, chorus – and copy, move, or delete at will.
- Visual EQ: Graphically adjust frequencies for each track by clicking and dragging individual EQ bands.
Four of these five listed improvements will be useful to many podcasters (while Magic GarageBand has a limited appeal for performers, it offers very little to podcasters), but there are many other enhancements under the hood.
Increased Audio Resolution
GarageBand 4 (the official version number of the new software) can now record at up to 24-bit resolution. This means that the software can differentiate between more levels of volume. That doesn’t mean that you can suddenly get louder without clipping, only that the loudness scale is more nuanced than before. Considering that the previous version of GarageBand could differentiate between 65,536 levels of volume (the same range a CD player can reproduce), the increase to 16,777,216 levels is mainly of interest to musicians.
If Apple had added more sampling rates (that’s the 22/44.1/48 kHz number you may have seen), it would be easier to import the audio from a digital video camera into GarageBand. Maybe that will come in the next version.
Record Multiple Takes
This will be an interesting feature for some podcasters: the ability to take as many tries at a section as you need, then pick the best one for your final project. This seems particularly useful for re-recording a section of an almost-finished show, as multiple takes on the first time through are as simple as leaving the recorder on and trying something again.
To use the multiple takes feature, click the cycle button in the playback controls section, then move or resize the yellow line that appears in a new track at the top of your project – it should cover the area where you are going to record your takes.
While this is a cool feature when you need it, I would like to recommend it with a warning: In my testing, if I set the yellow selection region so that it overlapped other audio, that audio would disappear from my recording when I finished recording the takes. If you are going to use this, either cut out the section you are going to replace, or just delete it entirely before you start the multiple take process.
Automatic Level Control
There is a new checkbox in the track info pane for Automatic Level Control. This feature is similar to the Auto Gain Control you see on some portable recorders, and it seems similarly unwise to use.
What Automatic Level Control attempts to do is adjust the recording input level down to keep loud sounds from clipping and boost it to keep quiet sounds audible. Unfortunately, this means that a few seconds of silence will result in the next sound recorded being much louder than it should be. I did a test of this, and it took a pause of just 5 seconds for the record level to get too loud for a decent recording. In other words, if you check this box, don’t ever pause to go over your notes or to take a drink of water.
New 9,999 Measure Limit
Earlier versions of GarageBand limited projects to 999 (GB 1 & 2) or 1,999 (GB 3) measures, which at the default tempo meant that the longest podcasts you could produce with the software were 33 or 66 minutes. Of course, changing the tempo before you started recording could as much as triple the recording time, but it was still a limitation that frustrated many users.
In GarageBand 4, the limit has been increased to 9,999 measures, giving you 5 hours, 33 minutes and 16 seconds of recording time at the default 120 bpm tempo, or up to 16 hours, 39 minutes and 48 seconds of time if you reduce the tempo to the minimum 40 bpm. If that doesn’t work for you, your podcast is too long!
Apple’s list mentions that – in addition to volume automation – you can now control tempo, EQ, and effects with automation curves. What it leaves out is that these automation curves can now be locked to the track: if you move a region of sound, your adjustment curves (volume or otherwise) will move along with it. This one change puts an end to fixing all of your volume adjustments after you realize you missed an “um” and have to go back to edit it out. This is a major frustration I’ve had since I started podcasting with GarageBand two years ago, and it is finally fixed. Enable this feature by going to Control > Lock Automation Curves to Regions.
The advertised automation improvement is of interest as well: Though the new tempo adjustment is mostly something for musicians, the ability to add a bit of echo or EQ to one part of a track can be useful if you want to make a quick fix or enhancement without making a new track and copying the offending section over. For some, this may be a big help, but for me, it is mainly a time-saver for those few instances where you need to do something like that.
Delete and Move
This is a very simple but useful feature for podcasters. It deletes an audio region and moves the regions that follow it earlier on the timeline to take its place. This – combined with the ability to lock adjustments to the audio– will make it far easier to remove a piece of an already-edited podcast without a headache. Also, if you edit by cutting out sections, deleting them, and then moving the later regions toward the beginning of the timeline, this will remove a step from your editing process. Luckily, there is a simple keyboard shortcut for this operation (control-Delete) which gives you an easy choice: “Delete and Move,” or simply “Delete.”
GarageBand 4 now includes Alignment Guides (Control > Show Alignment Guides), a feature that has been borrowed from Keynote, Pages, and other Apple software. I have a love/hate relationship with Alignment Guides in other programs, and that seems to have carried over to their use in GarageBand as well.
With Alignment Guides enabled, it is far easier to align audio regions and automation tracks with one another. In fact, it not only makes it easier, it makes it almost unavoidable (this is where the love/hate part comes in). When activated, this feature not only conjures little lines to tell you when your regions are aligned, it also snaps the regions into alignment if they are only almost aligned. At the default zoom level, this means that you can’t make adjustments within about 1.5 seconds of an edit or volume automation adjustment without snapping to that nearby point.
This feature is great for making sure there are no gaps in a recording with background noise, but bad when you want to tweak something forward or backward a fraction of a second. Luckily, it is easy to switch on and off when needed.
The Arrangements feature (Track > Show Arrange Track) isn’t just for musicians to keep the verses and the chorus straight, it can be useful for podcasting as well – but not as useful as I’d hoped.
Arrange allows you to select and move whole sections of a GarageBand Project as blocks – including all of the tracks, automations, and audio regions. Unfortunately, you can’t treat these “Arrange Regions” like you would the audio regions in a project. If you move a region to the left two seconds and let go, it won’t move the contents of that region two seconds earlier in the file. Instead, the Arrange Region will trade places with the previous region in the project – even if that places it 10 minutes earlier in the recording.
I can see the Arrange Track being useful as a way to keep track of the sections of a long podcast, or to rearrange large segments of your show, but it doesn’t behave the way everything else in GarageBand does so I probably won’t use it much.
Type-In Time on the LCD
Another simple one, but a nice addition: if you want to go to a particular spot in your project, you can now double-click on the time display LCD and enter the target time (or measure) to bring the play head – and your view – to that spot in the project.
More Refined Auto-Ducking
I do all of my ducking manually (ducking is reducing the volume of background tracks when foreground tracks come in), but I have heard that the Auto-Ducking feature in GarageBand is popular with some people. Part of the reason I didn’t use it was its lack of options – something that has just been solved in GarageBand 4. The newly-adjustable ducking tool seems to work pretty well when set right, but I still prefer doing it manually.
GarageBand’s equalizer settings have been greatly improved in this latest version, with a new visual EQ editor that includes an overlayed spectrum analyzer. This makes it easy to adjust equalization by picking one of the presets, then fine-tuning the sound by dragging the blue line that represents the adjustments being applied.
This was one of the tools that I didn’t know I needed until I had it – it has proved itself useful many times in the first week I’ve had it.
Garageband has a new checkbox in the Advanced section of the application preferences called Export Projects at Full Loudness. This adjusts the loudest sound in the recording to be at 100% volume, insuring that your listeners won’t have to boost the volume too much on their end to listen to your show.
New Share Options
The Share > Send Song to iTunes menu item now lets you set the metadata (album, artist, etc.) and playlist you would like to use when exporting your song to iTunes. This can save you a step or two when exporting audio that doesn’t fit your default “My Info” settings in the GarageBand Preferences. The other big improvement is the ability to select what format and bitrate your projects are exported in. That’s right, you can now create AIFF, MP3, and AAC files right in GarageBand. In addition, all of these option are available whether you’ve selected “Create New Podcast Episode” or “Create New Music Project” when you first open your file – no more AAC-only podcasts!
In addition to the Send Song to iTunes option, there is a new Share > Export Song to Disk choice as well. This option gives you the same compression and bitrate settings as the iTunes export, then asks you what folder you’d like your finished file deposited in. This is a great feature that allows you to bypass iTunes entirely – as long as you don’t use it to add artwork or shownotes to the file.
GarageBand ’08 (or GarageBand 4, whichever name you want to call it) includes many time-saving and headache-saving improvements over the previous version. It also includes some new features that – if used properly – will improve the overall sound and quality of your podcast. For a heavy GarageBand user, I see these improvements as nearly worth the $80 pricetag for the iLife suite. Of course, iLife includes iPhoto, iMovie, iDVD, and iWeb in addition to GarageBand, so the purchase should be a no-brainer for the Mac-based podcaster.